![]() 2 sonata illustrates Beethoven's heroic middle period (1803-1814) where he triumphed over adversity. 23 is a transitional work that depicts his strong personality through explosive dynamics and melodies. 12 sonatas from his early period (1770-1802) show his craftsmanship of the genre and unique personal voice. 454, composed for the virtuoso violinist, has a much more concertante style. 378 sonata from Mozart's late period (1779-1791) shows a significant advancement in the flowing, virtuosic treatment of the piano and violin parts. 305, display the equal relationship between the two instruments found in Joseph Shuster's violin-harpsichord duets, which Mozart studied. In contrast to these early sonatas, his middle period (1774-1778) piano-violin sonatas, including K. child prodigy and little equality between the piano and violin. Mozart's early period (1761-1773) keyboard sonatas with violin accompaniment, such as K. Their sonatas for piano and violin show the evolution of their styles in early, middle, and late periods. ![]() Wolfgang Amadeus Mozart's (1756-1791) and Ludwig van Beethoven's (1770-1827) personal backgrounds influenced their compositional styles in different stages of their lives.
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